The Praise of Laziness

Mladen Stilinović
Anthology of Forgotten Thoughts
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Artist

Mladen Stilinovič

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Anthology

In the statement from 1978 Mladen Stilinovič comments the photo-serie of his self portraits in bed being lazy: "Why cannot art exist any more in the West? The answer is simple. Artists in the West are not lazy. Artists from the East are lazy; whether they will stay lazy now when they are no longer Eastern artists, remains to be seen."

 

"As an artist, I learned from both the East (socialism) and the West (capitalism). Of course, now when the borders and political systems have changed, such an experience will no longer be possible. But what I have learned from that dialogue, stays with me. My observation and knowledge of Western art has lately led me to a conclusion that art cannot exist any more in the West. This is not to say that there isn’t any. Why cannot art exist any more in the West? The answer is simple. Artists in the West are not lazy. Artists from the East are lazy; whether they will stay lazy now when they are no longer Eastern artists, remains to be seen.

Laziness is the absence of movement and thought, just dumb time – total amnesia. It is also indifference, staring at nothing, non-activity, impotence. It is sheer stupidity, a time of pain, futile concentration. Those virtues of laziness are important factors in art. Knowing about laziness is not enough, it must be practiced and perfected.

Artists in the West are not lazy and therefore are not artists but rather producers of something….. Their involvement with matters of no importance, such as production, promotion, gallery system, museum system, competition system (who is first), their preoccupation with objects, all that drives them away from laziness, from art. Just as money is paper, so is a gallery room.

Artists from the East were lazy and poor because the entire system of insignificant factors did not exist. Therefore they had enough time to concentrate on art and laziness. Even when they did produce art, they knew it was in vain, it was nothing.

Artists from the West could learn about laziness, but they didn’t. Two major 20th-century artists treated the question of laziness, in both practical and theoretical terms: Duchamp and Malevich.

Duchamp never really discussed laziness, but rather indifference and non-work. When asked by Pierre Cabanne what had brought him most pleasure in life, Duchamp said: “First, having been lucky. Because basically I’ve never worked for a living. I consider working for a living slightly imbecilic from an economic point of view. I hope that someday we’ll be able to live without being obliged to work. Thanks to my luck, I was able to manage without getting wet”.

Malevich wrote a text entitled “Laziness – the real truth of mankind” (1921). In it he criticized capitalism because it enabled only a small number of capitalists to be lazy, but also socialism because the entire movement was based on work instead of laziness. To quote: “People are scared of laziness and persecute those who accept it, and it always happens because no one realizes laziness is the truth; it has been branded as the mother of all vices, but it is in fact the mother of life. Socialism brings liberation in the unconscious, it scorns laziness without realizing it was laziness that gave birth to it; in his folly, the son scorns his mother as the mother of all vices and would not remove the brand; in this brief note I want to remove the brand of shame from laziness and to pronounce it not the mother of all vices, but the mother of perfection”.

Finally, to be lazy and conclude: there is no art without laziness."

WORK IS A DISEASE – KARL MARX  (Mladen Stilinović)                                                              

WORK IS A SHAME  (Vlado Martek)

Mladen Stilinović, 1993

Translated by Marija Marušić

source: MONUMENT TRANSFORMACE

Mladen Stilinović (1947, Belgrade - 2016, Pula) was a Croatian conceptual artist and one of the leading figures of the so-called "New Art Practice" [Nova umjetnička praksa] which developed in Yugoslavia in the late 1970s. He lived and worked in Croatia. Stilinović was part of the Grupa šestorice autora [Group of Six Artists], active in Zagreb from 1975 to 1979, a cofounder of Galerija Podroom [The Basement Gallery] which operated from 1978 until 1980, and director of Galerija proširenih medija [The Expanded Media Gallery] between 1981 and 1991. In 1994, he collaborated with the Irwin group on the project Retroavantgarde. Over the course of his career he has developed a grammar around concepts like money, time, power, pain, work and language, upon which he sustains a constant exercise of resistance, waged from a standpoint of absurdity and irony, against systems of power and their apparatuses of reproduction. He had numerous exhibitions in Croatia and abroad, and his works are part of renowned international collections, both public and private, like the Centre Georges Pompidou in Paris and the Museums of Modern Art in New York, Stockholm, Vienna, Ljubljana, Zagreb, and Banja Luka, as well as the Zbirka Filip Trade (Filip Trade Collection) in Zagreb.

https://mladenstilinovic.com/